The Midsummer Garden by Kirsty Manning
Allen and Unwin 2017 (I bought a copy)
And boy, did this book live up to expectations!
Pip Arnet is given a big set of cast iron pots for an engagement gift. Inside, she finds papers with French recipes written on them, and is intrigued. Who wrote them, and how long ago? The answer, revealed to the reader, takes us back to Medieval France, where Artemesia is cooking a lavish feast for the wedding of Lord Bouchard to Lady Rose, and thinking of her own betrothed, Andreas. As Pip and her partner Jack navigate the bumpy road that comes after their engagement, their love story is bolstered by the story of Artemesia and Andreas, who in a sense, watch over our modern lovers and influence their love story in more ways than Pip and Jack could possibly be aware of.
First of all, Kirsty Manning can write. This is a book that is first and foremost about romantic relationships. Love, marriage, and all the stages that come in between. But at no point is the writing sodden with soppy adjectives. Manning writes deftly about the emotions associated with loving someone in a mature, engaging way. While anguish, confusion and heartache all have their roles to play, the book never thumps you over the head with repetitious, overly emotional descriptions, which seems to be the way with quite a few books these days. I think it can mostly be put down to the fact that the character of Pip is so well-developed. Yes, she's following the story line that belongs with her relationship, but she's also got a lot else going on too-- just like a real woman would. She's trying to finish her PhD in Marine Biology, she's trying to figure out what she wants to do with her life, she's worried about her sister... and of course she's fascinated by these beautiful old recipes that were found inside a set of pots given to her on her engagement.
Second, this book is relatively realistic. Looking at the acknowledgements in the back of the book, Kirsty Manning has spoken to a lot of experts to get this right. And unlike in so many books of this historical fiction/ contemporary fiction blend, there is no convenient, overly expositional revelation of the truth behind the manuscript that Pip finds. We, the reader get to know the truth, but Pip only ever gets part of it, and she does with that what she will, which is great. As someone who studied history, I only wish that some of the convenient coincidences that happen in historical fiction could have happened to me. (What? Your great great aunt wrote this diary and you happen to have the other half which reveals who the murderer was? Great. Thanks. I love that you just happened to live in the same city as me even though the artefact is actually from half the world away. NO.)
Put simply, I really loved this book and I think that if you enjoyed books like Le Chateau by Sarah Ridout, Labyrinth by Kate Mosse or The Shifting Fog by Kate Morton, you'll really love it too.
I gave it four and a half stars.